2019, The bone is the seed, solo exhibition, SEVENTH Gallery.
Through listening to a Tagalog language learning podcast, I come to the realisation that the word ‘butó’, meaning ‘bone’ in English also has the secondary meaning of ‘seed’. It is through this innocuous discovery that I am reminded of the memory of my mum, a first-generation migrant from the Philippines, referring to the pit and the seed of the mango as the ‘bone’; a frequent error in her speech, which as a child, I would instinctively correct with irritation. By reflecting on the nuances of translation I reconsider my identity and relationship with the languages of Tagalog and English in a series of drawings and photographic prints, derived from the discarded husks of fruit, seeds, and childhood experience.
2019, Guyabano seeds with mango, 52 x 39 cm, CMYK process screenprint on paper.
2019, Prep, 52 x 39cm, CMYK screenprint on Somerset paper (framed).
Documentation by Aaron Christopher Rees.
2019, Scratch, 52 x 39 cm, screenprint on Somerset paper (framed).
2019, Littlefish (wishbone), 52 x 39 cm, screenprint on paper (framed).
2019, Like dilis, 52 x 39cm, two-colour screenprint on Somerset paper (framed).
Documentation by Aaron Christopher Rees.
2019, Littlefish (wishbone), 52 x 39 cm, screenprint on paper (framed).
Documentation by Aaron Christopher Rees.